Anthony Childs
Listen to Rhyece's songs and get a feel for some of the real Australia not listed on the tourist pamphlets. I can't wait until he decides to write a book (or finish one should it already be in progess).
Favorite track: Galilee Basin Blues (Which Side Are You On?).
ROAD TO DAMASCUS (JOURNEY TO BUNYA)
The whorehouse is a burnin’
Pigdogs are a barkin’
Watching you swimming
Soon to be flying.
Damascus is crying
For there’s a chain on his ankle
Tried to break it for him
But the north was calling.
Those lights surely led us there
Jordan River dry and bare
Time now to sit and listen
Heed to the drover’s lesson.
Listen to the Whistling Kite
Banuba ghost howls nearby
I listen closely for your call
The Sea Eagle fly’s, she never falls.
She came from the Bunya Mountains
No prouder woman to see
I offered her a ring, but she thought it a sin
To marry a rambler like me.
The whorehouse is burnin’
Pigdog sticks the knife in
Eyes start to grinning
Soon to be cryin’
Soon to be lyin’
To me.
Lord! Damascus is dying!
For there’s a bomb in her kitchen
And the Eagle keeps on flying
Mumma’s kitchen burnin’
As the world keeps on turning
On me.
She came from the Bunya Mountains
No prouder woman to see
I offered a ring, but she thought it a sin…
To marry a rambler like me.
END.
GALILLEE BASIN BLUES (WHICH SIDE ARE YOU ON?)
My Daddy was a miner and I’m a miner’s son
Granddaddy was a miner too down the Palmer River run
They say out on the Palmer, there are no neutrals there
You’ll either be a Eureka man or a thug for the Cooktown mayor.
Oh Digger can you stand it?
Tell me how you can?
Will you be a lousy scab?
Or will ya be a man?
Tell me which side are you on Digger?
Which side are you on?
From the dusty Palmer River,
To the trenches on the Somme.
Now I’m workin’ out the Charmichael
Three kids a bank loan and a dream
She walked out six months ago
Freedom don’t come cheap
Singin’ which side are you on mate?
For the hour is getting’ late
That coal train reaches harbour
Filled by a Bagger 288
We were singin’ ‘Which side are you on boys’
Which side are you on?
For the blacks have blocked the road to work
And they’re singin’ an ancient song
They sung it the Palmer
They sung it on the Somme
Singin’ which side are you on Digger?
Which side are you on?
Oh Digger can you stand it?
Tell me how you can
For the blacks have blocked the road to work
And they say they’re makin’ a stand
I don’t wanna be a scab Mumma
I wanna be a man
But I just crossed that picket line
And a scab is what I am
They sung it at Eureka, they sung it on the Mekong
But the blacks have blocked the road Mumma
There’s a battle goin on.
I’m a digger of the black gold
But I just crossed the line
Please forgive me Jesus, I have three kids and a drunk ex-wife
Cause I’m a diggin’ the black gold
Put on a train north to the sea
To William Blake’s satanic mill
A Shanghai factory
If Blake was but a poet
Then I’m a worker man
There’s a power in a Union
And the Union’s where I stand
For my Daddy was a miner, and I’m a miner’s son
Granddaddy was a digger too
On the Somme neath the blackened sun
A coalminer like my Dad, I’m proud of who I am
But the blacks have blocked the road to work
And they’re callin’ me a scab
So take me back to the Palmer River
Take me by the hand
I’m longin’ for that Shanghai girl
Like the needle in my hand
I found her neath the milky way
No gold found through the day
I was lookin’ for my Shanghai girl
And a needle in the hay.
Singin’ which side are you on white boy?
Which side are you on?
They sung it at the Harlan County mill
Lingiari sung it at Wave Hill
Tell me which side am I on Vincent?
Which side am I on?
For your mob has blocked the road to work
And there’s a battle goin’ on
Which side am I on Vincent?
Tell me, Which side am I on?
From the dusty Palmer River
To the trenches on the Somme
I don’t wanna be a scab Mumma
I wanna be a man
But I just crossed that picket line
And a scab is what I am.
about
Belyando Roadhouse Blues...
The first thing I noticed as I entered the Belyando Crossing Roadhouse was the kicked in glass door.
Two cowboys and a morbidly obese woman shot pool in the corner. Three dusty ice creamed faced kids played on the floor below my feet. There were two choices of liquor - XXXX or Great Northern.
A sign above the bar read:
'If the music is too loud for you, then fuck off.’
Normally in a bar like this - as big as the average lounge room, I would make conversation. But not here. Not this time. For I was nervous. Why? Because I was a lonely dissident poet one hour's drive from the Charmichael coal mine and this was a bar full of miners, cowboys and weathered women save for the young islander bar maid handing me an ice cold Great Northern heavy. Belyando Crossing had yet to age her - it would soon enough. For this is hard, dry, unforgiving country, almost 200 km to the next petrol station - down the wobbly Gregory Highway in western Queensland. The old Hemi burnt it up well; burning past whistling kites, a wedged tailed eagle or two - and enough dead roos to feed a flock of them for weeks.
Listen to the Whistling Kite.
Presently a young cowboy approached me with his hand out to greet the stranger with a black cockatoo feather in his hat.
He welcomed me not suspiciously. Cordially he approached the stranger with a smile; outstretched calloused hand accompanied by a question.
'G day mate, where are you workin? Which mine?'
'Ah none mate' I stammered a little, for I hadn’t prepared for such questions.
'I'm just passing through on my way to a mates farm in Bowen. Just done a bit of chippy work down Bajool way'
I lied.
I'd been holed up in Pete the old drover's steam train caboose, getting drunk all week and smashing dexys with a wayward witch; writing songs for an album I was about to record with JB. Paterson, Nathan Glen, Ruby Gilbert and Karl S. Williams.
‘Yeah mate, I decided to take a look out the back - take the long way ya know’
The cowboy pondered, skulled his XXXX Gold and proudly exclaimed:
'Take the Bowen Development dirt road mate - they just graded it, I went there the other day, you'll get the val through no worries’.
An argument then ensued between the entire bar about the best way to get to Bowen.
What I really wanted to know was the best way to get to the blackfella camp out at the Charmichael coal mine.
The sun wasn’t long in that luminescent Queensland sky beyond the kicked in front door of the Belyano Roadhouse Tavern. One hundred kilometres of dusty dirt road lay before me and still no contact with the mob and the leadership of the strike. As the sun descended ominously at the end of the bar to the west I gestured to the gorgeous barmaid for another beer, ‘make it two darlin’.
These were to be for the road. Nothing more was to be gained from staying here a minute longer. Thus I bid farewell to my cowboy host. Thanked the islander barmaid, the silent publican and his more than hospitable salt of the earth patrons. Determined, I pointed the old barge south back down the Gregory towards the infamous Adani coal mine. I'll never forget that bar and the good people within it. If only I could have told them the true reason for my being here. It was a need to know basis I suppose.
They need not know from whence or where I intend to roam.
Who knows what dangers awaited me beyond the Belyando Crossing Roadhouse.
I felt a strong intuition that the camp and the blockade had been abandoned.
I didn’t care. I turned off the Gregory and headed west with the descending sun towards the Belyando River. Tailed by company security guards the whole way from the highway turnoff.
This was still a public road and I - a public nuisance. Thus I lit a fire on the banks of the Belyando - washed my tired bones in its muddy waters, raised the blackfella flag in the Cypress tree above my camp and prepared to pen these lines.
The night shift workers were beginning to roll in on double pay thanks to their formidable union, the CFMEU. Also my union, the union I have represented as an elected delegate leading a dispute out in western New South Wales.
For this was a public holiday and I was camped by a public road, upon an ancient river, tailed and monitored by private security in the pay of the largest coal mine in the southern hemisphere.
It was the 26th of January 2021...
Invasion Day.
In the midst of global lockdown and pandemic, this wayward exiled Victorian had managed to make it to the infamous Adani Coal Mine.
The endless stream of semi's and mining vehicles formed a constant ominous dust cloud on the road to the left flank of my camp. I wondered where the Blackfellas were. Where was their blockade? Had they retreated? Had they disbanded? For now it was just me, the soothing sounds of the Belyando recently in flood and thoughts of the ancestors among the Min Min stars high above. I had travelled a long way to be here - yet I'd found no blockade, a protest camp or a single black fella. The mosquitoes were utterly relentless this night. In my swag on the banks of the Belyando, feeding the sacred Galilee basin I drifted off to sleep.
I dreamt of finding my car near a river that was raging and rising like the sea - Rising like a violent apocalyptic sea in flood.
The mine security parked their hilux 50 metres from my camp in an attempt to intimidate me. I rose from the fire, fastened my hunting knife to my hip and casually approached their Hilux, coffee in the left hand, right one on the damascus steel hugging my hip.
I knocked on the window.
‘g’day cobber, you want to join me for a coffee mate? I just got a brew on’ - he had no choice but to sit his fat arse down by my fire and drink a coffee. He had questions for me - and I for him. He then left, satisfied that I was no threat to his grain fed rump or the filthy corporation he was there to represent.
That morn I woke before the sun, stoked the coals and sipped a coffee to the realisation that the Wangan & Jagalingou mob had retreated - for now.
Yet it was only a matter of time til they rose again - like the dusty Belyando River under torrential summer rain the day prior to my arrival.
Rise again they would. Like the mighty Belyando, Charmichael, Murrumbidgee or Murray in a sunburnt summer flood.
They would rise again to part the ancient inland sea - the whites named Galilee.
Lord have mercy upon the occupiers whence that day she come.
Lord knows I'll be there, not far from the Belyando Roadhouse -
Neath Wangan & Jagalingou sun.
‘Lord have mercy, Lord save me from the mighty flood’
- John Lee Hooker.
Written, arranged & mixed by by Rhyece O'Neill
Road To Damascus Produced by J.B. Paterson @ Easy Machine Recordings, Tambourine Mountains, Queensland, Australia.
Galilee Basin Blues (Which Side Are You On?) Produced by Peter Clarke on his balcony in Coolum Beach, Sunshine Coast, Queensland.
Violin by Hannah Ryder
Piano by Karl S. Williams
All other instrumentation by Rhyece O'Neill
Mastered by Adam Karlik @ SONO Records Prague, Czech Republic
Photo taken atop Grassy Hill, Cooktown by Johnny @ JamesCo Clothing
Taken from the fourth-coming album produced by J.B. Paterson:
Journey To Bunya
Out 2022 on Howlin' Dingo Records.
GALILLEE BASIN BLUES (WHICH SIDE ARE YOU ON?) is based upon the song written by FLORENCE REECE in 1931 about the HARLAN COUNTY WAR in the Kentucky coal mines fought between striking coal miners and anti-union vigilante groups in the pay of mining bosses and local government.
ROAD TO DAMASCUS (JOURNEY TO BUNYA) is written for and dedicated to the struggle of Indigenous peoples across the Australian continent.
Under attack is their INALIENABLE rights as custodians of the sacred land upon which this music was written, recorded and is dedicated to. Destruction of their culture, language, traditions and spiritual customs is ongoing.
THUS THE GENOCIDE CONTINUES.
Rhyece O'Neill is a songriter, poet & novelist born on Kurnai country in South Gipplasnd, Victoria, Australia. He grew up on
the banks of the Murray River on Yorta Yorta country in North-East Victoria. Currently he roams the Australian outback in a 79' Valiant with his best mate the 'Black Crow Kelpie' Sonny....more
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